1865-1916 French Georges Lemmen Gallery Belgian painter and decorative artist. He showed a precocious talent, first exhibiting in 1875. His only formal study was at a local school of drawing. Between 1884 and 1886 he showed at the Essor group in Brussels paintings that were based on D?rer and Holbein and closely related to those of Lemmen's contemporary, Khnopff. When Lemmen became a member of Les XX in 1888 his style developed quickly, influenced principally by French Neo-Impressionism and the English Arts and Crafts Movement. Lemmen adopted the pointillist technique following Seurat's first showing with Les XX in 1887. His best pointillist canvases include The Carousel (1890-91; Toulon, Mme Thevenin-Lemmen priv. col., see Belgian Art, 1880-1914, exh. cat., New York, Brooklyn Mus., 1980, p. 118, fig. 47) as well as portraits of Julie (1891; Chicago, IL, A. Inst.) and Mme Lemmen (1894-5; Paris, Mus. d'Orsay).  Related Paintings of Georges Lemmen :. | View of The thames | Beach at Heist | Self-Portrait | Girl with doll | Portrait of Sister |
Related Artists:
Anna Hills
1882-1930
Johan Stalbom
Johan Stalbom (1712 - 1777)
Wouterus Verschuur
(11 June 1812 - 4 July 1874) was a Dutch painter of animal subjects - mainly horses - and of landscapes. He is one of the later representatives of Romanticism in Dutch art. Born to an Amsterdam jeweller, Verschuur received his training from the landscape and cattle painters Pieter Gerardus van Os and Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman, like Wouwerman Verschuures subjects consist mostly of stable scenes, landscapes with horses and coastal landscapes. Showing talent from an early age, at 15 Verschuur had a painting exhibited at the eExhibition of Living Masterse at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artistse society, Arti et Amicitiae. His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle in Paris. The popularity of his paintings provided him with sufficient funds to travel widely. He made frequent trips to Gelderland and Brabant and abroad to Switzerland and Germany. In 1874, on one of his trips to Gelderland, he died on July 4 in the town of Vorden. He left behind an oevre of about 400 paintings and over 2000 drawings. Amongst his students were his son, Wouterus Verschuur Jr. and Anton Mauve.